Wednesday 23 August 2017

772 Paradise Postponed



First  viewed : 15  September  1986

This  was  a  flawed  but  interesting ten  part   serial  which  my  mother  enjoyed  more  than  I  did  although  I  stuck  with  it. It  was  written  by  John  Mortimer. Mortimer  was  a  genuine  polymath, a  prominent  barrister  who  also  wrote  copiously  after  working  in  a  wartime  propaganda  unit  and  achieved  success  in  both  fields. As  a  lawyer  he  achieved  prominence  in  a  number  of  obscenity trials  such  as  the  Oz  trial  and  then  the  Never  Mind  The  Bollocks  Case. As  a  writer  he  came  to  the  fore  through  TV  in  the  late  seventies  as  the  creator  of  Rumpole  of  the  Bailey.  In  the  eighties,  he  took  on  a  third  role  as  an  arch-critic  of  the  Thatcher  government,  using  his  public  profile  to  hector  the  electorate  about  the  iniquities  of  Tory  policies . These  harangues, not  helped  by  his  personal  likeness  to  a  supercilious  toad, did  the  socialist  cause more  harm  than  good.

Paradise  Postponed   was  a  lament  for  the  decline  of  post-war  idealism  which  demonstrated  a  degree  of  self-knowledge  not  immediately  apparent  in  his  public  appearances. Like  Bleak  House , the  story  rested  on  an  inheritance  issue. Why  did  Simeon  Simcox  ( Michael  Hordern )  a  socialist  vicar  in  East  Anglia  but  cushioned  by  the  wealth  from  shares  in  a  family  brewery  leave  those  shares  to  a  locally-born  Tory  Cabinet  minister  Leslie  Titmus  ( David  Threlfall ) ?  Most  interested  in  solving  that  mystery  are  his  disinherited  sons ,  Henry ( Peter  Egan ) , a  self-interested  writer  long  since  moved  to  the  right  and  Fred ( Paul  Shelley ) a  liberal  but  rather  indolent  doctor. The  story  unfolds  mainly   in  flashbacks  illustrating  the  changes  in  social  attitudes  since  the  days  of  Attlee.

The  main  flaws  were  twofold. Firstly,  a  rather  mechanical  plot  relying  too  much  on  Arthur  Nubble ( Kenny  Ireland ) , Fred's  entrepreneurial  old  schoolfriend  periodically  popping  up  with  a  revelation  to  move  it  forward. The  great  secret  becomes  obvious  well  before  the  final  episode. The  other was  that  Mortimer  tried  to  cram  in  too  much  social  commentary  so  that  characters  often  became  mouthpieces  for  his  themes. I  still  cringe  at  the  memory  of  Henry's  scene  with  his  daughter  Francesca  ( Leonie  Mellinger )  where  she  goes  into  a  rant  about  how  unidealistic  she  is,  concluding  with  "And  I  don't  give  a  damn  about  great  stinking  whales !"

Threlfall  had  already  caught  the  eye  in  Nicholas  Nickleby  and  The  Gathering  Seed   but  it  was  Titmus  that  made  his  name  as  an  actor,  transforming  from  a  gauche  provincial  nobody  to  a  smooth-talking ,high-ranking  politician  with   the  aid   of  the  Radio  3  cricket  commentary. There  was  much  interested  speculation  in  the  papers  about  who  Titmus  might  be  based on. Norman  Tebbit  was  an  obvious candidate  but  Peter  Walker  was   also  mentioned  a  lot. Mortimer   was  pretty  fair  to  Titmus. He  gets  where  he  is  by  hard  work  and  determination  and  though  his  marriage  to  volatile  Charlie  ( Zoe  Wanamaker )  is  politically  advantageous , he  does  treat  her  with  genuine  care  and  affection. He  is  clearly  morally  superior  to  the  local  Tory  old  guard  that  despise  him.

Mortimer  went  on  to  write  a  sequel,  Titmus  Regained  , a  less  ambitious  three  parter  in  1991  which  I  didn't  see. Apart  from  Threlfall, I  think  only  Paul  Shelley  returned  from  the  original  cast. It  didn't  have  anything like  the  same  impact. Rumpole  of  the  Bailey  finished  on  TV  in  the  following  year ( although  he  was  resurrected  on  radio  in  the  noughties ). Mortimer's  star  then  dimmed,  particularly  after  the  death  of   Labour  leader  John  Smith  in  1994. His  successor  Tony  Blair  regarded  the  "Labour  luvvies " in  the  entertainment  industry  as an  electoral  embarrassment  and  froze  them  out. Mortimer  continued  to  write, mainly  about  Rumpole, until  his  death  in  2009.





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