First viewed : 6 May 1982
This programme of course had been running since 1971 but always in a very late night slot on BBC Two until April 1982 when it started showing at the more civilised 22.10pm on a Thursday.
Old Grey Whistle Test was conceived as the anti-Top of the Pops in 1971 after that programme's "Album Slot" where artists played less commercial material failed to take off with the audience. There are many well-aired arguments about the difference between rock and pop and its relationship to the gender divide which I won't launch into here. The main differences between the shows were as follows :
- Artists played more than one number
- They played live in the studio
- There was no audience apart from the production staff
- The artists did not need to be in the charts ; a few mentions in the music press was generally enough to generate an invite
- Top of the Pops had a mass audience; OGWT didn't
The programme's first presenter was a rock critic Richard Williams but he was soon replaced by the ultra-conservative "Whispering" Bob Harris who liked folk and country rock and started looking out of touch as early as 1972 when he gave a cold reception to Roxy Music and the New York Dolls. Nevertheless he survived until 1978 when he thought it was best left to new co-host Annie Nightingale to handle this new punk stuff ( Harris had been famously assaulted by Sid Vicious at the Speakeasy Club ).
She was still in charge when I first tuned in on 6.5.82 for Spandau Ballet, some affection lingering even though their current LP Diamond was a load of crap. Gang of Four were also on, with then-unknown Eddie Reader as a backing vocalist, but couldn't do their current single I Love A Man In A Uniform because of the Falklands War. I remember an episode with Tom Verlaine on a few weeks later but otherwise that was all I saw of the Nightingale era. I would however be a loyal listener to her Sunday night request show on Radio One for the next ten years
Since 1980, Annie had been assisted by Smash Hits editor David Hepworth whose magazine had risen with the new wave even though Hepworth's own tastes were closer to Harris. When the show returned in the autumn, it had an early Saturday evening repeat slot and Hepworth was in the chair, assisted by Smash Hits sidekick Mark Ellen. The show now had more of a magazine format and wasn't averse to filling space with videos. I remember Glen Matlock's doomed new outfit The Hot Club doing their single The Dirt That She Walks On Is Sacred Ground To Me on their first show.
It was watchable but I think they may have been better off sticking to their guns and trying to ride out the New Pop wave. With a proliferation of new music shows on TV it was in danger of losing its USP In 1983 the repeat switched to Tuesdays and I stopped watching it regularly. In 1984 it had another makeover , dropping the "Old Grey" and the hoary old Stone Fox Chase theme tune. and introducing new presenters in Radio One's perennial understudy Richard Skinner and Rochdalian newcomer Andy Kershaw who'd recently been acting as Billy Bragg's road manager. Kershaw looked like he never went to bed and was highly opinionated but he did give it a renewed sense of identity as an unabashed champion of guitar music particularly if it came from America. It also said goodbye to its late night slot and went out on a Tuesday evening only.
It was finally axed by new broom Janet Street-Porter coming in as Head of Youth Programmes in 1987. Ironically, the last regular episode went out in the same week that its brash Channel 4 rival The Tube ended, though there was a New Years Eve Special to give it a proper send-off.
My dad said back when it was it's early/mid 70s heyday, the done thing was to claim at work the next day that "of course, I've known about (ie) Ry Cooder for years".
ReplyDeleteSomething about Hepworth and Ellen always rubbed me the wrong way. Not sure what - but I remember they were involved with the launch of VH1 and thinking they were both on the smug side.