Wednesday, 2 November 2016
530 The Police - Montserrat 81
First viewed : 19 December 1981
Another little piece of the modern world falls into place here.
This one-off documentary called in at AIR Studios in Montserrat while The Police, probably the biggest band in the world at the time, were recording their fourth album Ghost In The Machine. I would imagine that neither band nor label were particularly chuffed at the scheduling, nearly three months after the album's release and with all its singles already out.
While The Police were entering the autumn stage of their career as a band, the documentary marks the beginning of a TV career that's still going strong today. I'm presuming A & M had editorial control over the programme because the presenter and interviewer of the three musicians was the ex- keyboard player from labelmates Squeeze. Jools Holland had left the new wavers at the start of the new year to make boogie-woogie records with his own band The Millionaires. He had no TV presenting experience but had acted as the on-stage MC at Squeeze concerts. As was clear from the film he was not particularly enamoured of The Police's music but I guess a paid trip to the Caribbean when you're not selling any records is hard to turn down.
Jools was respectful during the interviews as the trio, all articulate men, described the creative process from their angle, giving real insight into how a band sets about making an album. The Police were notorious for internal tensions but there's little sign of that in the film as all three appeared to be relaxed and good humoured. Inevitably Jools got to jam with the boys on the studio piano but he didn't get on the album.
Ghost In The Machine is probably the best , most consistent of their always patchy albums. There was only one more to come. Jools would have a regular TV gig within a year of this being broadcast.
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Hard to imagine Holland's boogie style fitting in with Gordon and the lads... so we can blame this for him still having a regular gig decades later?
ReplyDelete(However, I'll give him fair dues for his solo in The The's "Uncertain Smile")
I was the manager of the Police at the time and wanted someone new and different to do the doc, not some established old fart. I also managed Jools and always believed he had the right stuff to do this so talked both him and the Police into it - not hard and he proved me right. Miles Copeland
ReplyDeleteAnd still is doing. Thanks for dropping by.
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