Tuesday, 28 February 2017
618 The Mad Death
First viewed : July 1983
Besides the water shortage, the long hot summer of 1976 was also marked by a rabies scare. I can't recall what sparked it off but there were posters in the local health centre warning of the dangers of flaunting quarantine laws. It seemed like Death was just waiting to pop over from Calais and get us. Radio playwright James Follett ( not to be confused with Labour luvvie Ken ) capitalised on this with a scary drama The Rabid Summer on Radio Four which made such an impression on me that I taped the repeat and played it to my friends.
I don't know if Nigel Slater who wrote The Mad Death some six years later heard the play but there are strong similarities. In both, the hero is a vet who has to impose unpopular control measures in the teeth of opposition from countryside interests and mad old pet-loving ladies. In this case, the vet was a younger man Hillard , played by Richard Heffer with an arrogance that made him very difficult to like. The green wellies brigade were represented by Dalry ( Richard Morant ) who was also the suspicious boyfriend of Hillard's assistant Anne ( Barbara Kellerman ). Brenda Bruce played the psychotic cat owner.
I think I missed the first episode of this three-parter but I recall a scene , which must have given Richard Whiteley nightmares ,where Hillard is ambushed in a pub by a group of yokels and has a ferret pushed to within a centimetre of his face. I also remember Dalry giving Hillard a long-overdue punch at some point in the final part.
Monday, 27 February 2017
617 Murder in the First Degree
First viewed : 9 July 1983
This three part documentary was originally part of a longer documentary series called Circuit Eleven Miami , taking advantage of a decision by the State of Florida to allow its judicial proceedings to be filmed for a year. It was first shown at an ungodly hour on BBC2 in 1979 ; these repeats went out just after nine. Interestingly, it was screened just as the Commons were seriously debating the restoration of the death penalty for the last time.
The drama centred on the trial of a man called Thomas Perri who was accused of the murder by knife of an old man in revolting circumstances. The State's only witness was his apparent accomplice Stephen Weiss who had been promised a maximum sentence of fifteen years if he helped nail Perri and send him to the chair.
What struck me most was just what U.S. lawyers were able to get away with in court. The defence's entire strategy seemed to be to unnerve Weiss by constantly accusing him of being a sexual pervert. I seem to recall one of the questions was
"Did you say to Diane [Perri's wife ] "Diane you've got such a skinny body , how can you take that python that Tommy's got ?"
The prosecutors would then object, the judge would shout "Sustained ! " and then the defence lawyer would ask another question that was equally as abusive and irrelevant.
And this went on and on. Neither Perri nor Weiss, who were both clearly relishing the presence of the cameras, seemed fazed by the proceedings.
This was in the first episode and I felt grubby just watching it. I couldn't face any more of it. Googling reveals that Perri was found guilty but not whether he was subsequently executed .
Sunday, 26 February 2017
616 Open Space : Power in Your Hands
First viewed : 5 July 1983
This was a bit of an oddity. BBC2 wanted to drum up some response for their new Community Programming Unit vehicle Open Space ( although a number of episodes were already in the can ) so they sent Julie Walters, hot on the back of her appearance in Boys from the Blackstuff , to England's most battered community i.e Liverpool to tub-thump for it.
Open Space was really just a re-launch of the 1970s programme Open Door which had fallen into odium after an infamous episode where they let some anarchist group plonk a potted tree in front of the camera and recite slogans offscreen for half an hour.
Resplendent in a garish shell suit, Julie wandered around estates and playgrounds arguing that communities should't wait for writers to come up with once-in-a-lifetime dramas like ..Blackstuff to highlight important concerns but use the opportunity provided by the CPU to make their own documntaries. How a half-hour programme buried on BBC2 in a midweek evening slot would bring about lasting change was never really addressed.
Still, Julie's evangelism did inspire me to write to the programme suggesting they come to Littleborough and cover the Coach House Project.. This was instigated at a public meeting convened by Littleborough Civic Trust in November 1979 as a response to the lack of community facilities in Littleborough ( partly down to the parsimonious policies of the old Littleborough UDC and then the tendency of Littleborough to elect councillors of a different political hue to the majority group on Rochdale MBC to which it's been tethered since 1974 ) . Rae Street and Don Pickis ( chair and vice-chair respectively of LCT ) had identified a seventeenth century building in the town centre that an ironmonger was about to vacate as a suitable site for a community centre and invited representatives from all the local voluntary groups to come on board with the project. I was at the meeting and there was a unanimous vote to green light the project with Nan Dearden the formidable chairwoman of the Townswomen's Guild nominated as chair of the steering group ( not. I suspect, an entirely agreeable surprise for Rae and Don ! )
In addition to the cost of taking on the lease for the building, which was owned by the brewery for the pub it once served , the old coach house required considerable work to make it fit for purpose and all the constituent organisations were involved in fund raising activities to various degrees. My mum's playgroup was involved, despite her reasonable questioning of what they stood to gain when they served the interests of parents in Dearnley and Smithy Bridge, a good mile away and already had premises there, By the time the Walters episode was broadcast, the Centre was still not open for business.
Besides being involved in the Civic Trust's fundraising activities, I had also made over 50 % of the proceeds from two raffles held by the Littleborough Rambling Club ( much criticised by some of the other members ) to the project . Still , there was no invitation for me to join the steering committee and quite rightly so ; they needed some specialist expertise or someone who could open up doors to further funding, not the impractical ideas of a teenager. The approach to Open Space , made without any consultation whatsoever, was probably another attempt at self-advertisement.
The reply is below :
I heard nothing more. The Coach House partially opened its doors that October and continues to this day without the benefit of my services.
The earliest subsequent Open Space programme I definitely recall watching was broadcast on 9 October 1986 titled B & B the Real Scandal which highlighted that local authorities in London were having to put homeless families into bed and breakfast accommodation , usually a single room with a shared bathroom , because of the government's restrictions on public house building.
Next came Strip Searching - Security in the Raw on 13 April 1987. This was a programme made by a number of females who had experienced strip searching at different locations. It didn't actually show any but the testaments were shocking enough. I recall an attractive young woman who'd gone down to Greenham Common, got arrested and then been strip-searched including vaginal examination in front of a gaggle of male officers who'd gathered to watch. She'd told one he was old enough to be her Dad. Thankfully, the laws regarding the procedure were considerably tightened up not long afterwards.
Saturday, 25 February 2017
615 Six Fifty five
First viewed : July 1983
This early evening - I'll leave you to work out the exact time - chat show from the Pebble Mill team on BBC Two ran for three summer seasons from 1981 to 1983 but the first two ( when it went out as Six Fifty Five Special ) passed me by entirely. It was on five nights a week . For the second season some star power was added with Sally James from Tiswas and Anglophile actor David Soul becoming the presenting duo.
For the 1983 season Soul was replaced by swarthy young Scot Paul Coia. I recall episodes which featured John Hurt and the bloke he was playing in a film, cancer-beating jockey Bob Champion and one which featured Mike Read and Paul Gambaccini talking about 30 years of the charts. I remember Read championing The Shadows as the first group to write their own material against Gambo's plump for The Beatles given that the Shadows' tunes lacked certain vital ingredients. There was also a show given over to TV puppets where Sooty attacked Sally with a water pistol ( not that that was likely to faze her ) . It's a shame he went for her face given she was wearing a white summer dress at the time.
The feature I remember best was in the Friday episode where Bob Langley would go for a walk in the Lakes with a celebrity. The first one was Chris Bonington and I remember him saying that he fantasized about food rather than sex when he was mountaineering. The second one was Martin Shaw who talked to Bob on the summit of Latrigg - at the time I had no idea I would be in the exact same spot just a month later - who took the opportunity to show that he was a more thoughtful guy than his screen image would suggest. I remember taking the piss out of him for talking about his spiritual guru and my mum rebuking me for this nascent bigotry.
Sally James largely withdrew from TV after this to raise her family although she had a semi-regular slot on Countdown in the late eighties. She later set up a business selling school uniforms. Since 2000 she has been a regular celebrity guest on numerous programmes. Paul Coia has been lesss visible but his career continues as a game show host on satellite channels and a local radio DJ.
Friday, 24 February 2017
614 World of Wildlife
First viewed : 4 July 1973
This was an early evening nature documentary series. I remember watching the first episode on sharks which set out to show that most of them are not as fearsome as their reputation.
Thursday, 23 February 2017
613 T.J. Hooker
First viewed : 1983
I always referred to this as "Toupee" Hooker in reference to the obvious syrup sported by William Shatner throughout the series. Contrary to popular wisdom, this was not the first regular TV vehicle for Shatner since Star Trek; he had a starring role in the forgotten Barbary Coast in the mid-seventies but his re-emergence here as a paunchy ex-detective who decides to go back on the uniformed beat was almost certainly due to the popularity of the first Star Trek movies.
Forget Shatner though, the real reason for tuning in was Heather Locklear, a pocket-sized Farrah Fawcett lookalike who joined the cast in the second series as a rookie officer. The producers wasted few opportunities to make use of her assets with storylines regularly calling for her to wear a bikini or go undercover as an exotic dancer or other such devices. The third member of the core trio was Adrian Zmed as Officer Romano who looked up to Hooker as a mentor.
T.J. Hooker was something of a throwback to seventies shows like Starsky and Hutch in contrast to more earnest fare such as Hill Street Blues or Cagney and Lacey. As such it was always watchable without ever being essential viewing. It ran until 1986.
Wednesday, 22 February 2017
612 A Midsummer Night's Tube
First viewed : 24 June 1983
Taking their cue from BBC Two's Rock Night the year before Channel 4 gave Jools, Paula et al a five hour show to play with ( Switch was on earlier in the evening too ). I only dipped into it , partly because of Wimbledon highlights on BBC Two and partly because the line-up wasn't that great including King Sunny Ade, Culture Club, Shalamar . Marillion and Robert Plant, none of whom held much interest for me. The main draw on the schedule was Jools Holland interviewing Duran Duran at a French chateau. It was notable for the ironic questioning by Holland, clearly no great fan of the band, and Simon Le Bon in particular failing to pick up on this and making an arse of himself. The feature did the band no favours at all and sharpened critics' knives against them which was perhaps Holland's intention.
There was another in June 1984 but I don't recall seeing any of that.
Subscribe to:
Posts (Atom)






