Thursday, 31 March 2016
367 A Question of Sport
First viewed : Uncertain
I'm not sure when I first caught this hardy perennial but the first team captains I remember were Gareth Edwards and Emlyn Hughes which would put it between 1979 when both joined the series and 1981 when Edwards stepped down.
I half-enjoyed it, the problem being that my mum and sister watched sports that I didn't e.g. athletics , show jumping, ice skating , and so they would usually be able to answer more questions than me who was restricted to football, snooker and tennis. I also waited in vain for any wrestler to feature or even a question about it.
The show had been going since 1970 with gaffe-prone sports commentator David Coleman taking over from David Vine in the chair in 1979 . Although Coleman enjoyed some banter with the captains, he still came across as a humourless figure with a comb-over who took himself far too seriously. He apparently hated the Colemanballs feature in Private Eye which highlighted his regular goofs and when he appeared with his Spitting Image puppet on some Comic Relief programme the expression on his face told you it was an exquisitely painful experience for him. He retired in 1997 and died in 2013 aged 87.
Edwards was replaced by another rugby guy Bill Beaumont , a genial giant who always gave the impression his elevator didn't quite reach the top floor. He was a good foil for the manic Hughes and they are the pairing I best remember. I was watching in 1987 for Emlyn's John Reid / Princess Anne faux pas and the latter's subsequent appearance on the programme. I also remember when he and Everton's Trevor Steven had US tennis player Peter Fleming on their team and he seemed to know more about football than they did.
Hughes could be very irritating but the programme lost something when he left in 1988 and was replaced by Ian Botham. I drifted away from it some time during his tenure and never really came back on a regular basis.
Sue Barker of course took over from Coleman and remains in the chair to this day. I like her but there was always a barrier to watching the show in the form of Ally McCoist. I just can't bear seeing him treated as a top class footballer knowing he was an abject failure when he tried out in a decent league for Sunderland. They wouldn't have made Steve Bull or Tommy Tynan a team captain.
I can't say I'm a great fan of Phil Tufnell's overgrown schoolboy routine either but I do catch snatches of the show now and then as it often seems to be on when I've put my son to bed.
Wednesday, 30 March 2016
366 That's Life
First viewed : Winter 1979
This isn't the coolest programme to admit that you watched but one has to be honest. This was one of a number of programmes around this time that I started watching on the recommendation of my best friend Stephen.
The series began in controversial circumstances. There was a popular consumer show called Braden's Week which ran from 1968 until 1972 when the host Bernard Braden was sacked by the BBC for the heinous crime of appearing in a margarine commercial. The show was effectively resurrected by producer Desmond Willcox with his mistress Esther Rantzen promoted to be main presenter. It's always worth remembering that this champion of child protection is a home-wrecker who stole a father-of-three away from his wife.
With her voluminous dresses, big teeth and ingratiating manner, Rantzen was the ultimate Marmite presenter, something you just had to get past to enjoy the rest of the show . When I started watching her co-presenters were the likable bloke-y duo of Paul Heiney and Chris Serle who played the jobsworths being exposed by the show and Cyril Fletcher. I can't improve on Griff Rhys-Jones' description of Fletcher, from a wicked Not The Nine O Clock News parody , as a "camp old twat". His job was to sit in a chair, read out some humorous misprints sent in by viewers then round off his slot with a rotten pun.
Added to that of course you had the phallic vegetables, comic songs by the likes of Richard Stilgo and those awful street interviews with old dears who didn't realise they were being patronised and then served up to the nation as idiots.
Heiney , Serle and Fletcher got out while the going was good in 1981. Fletcher's spot was taken by smutty songwriter Doc "Ivor Biggun" Cox while the boys were replaced by a trio including Angels actress Joanna Monro . It wasn't the same and I think I'd stopped watching it by the time I went to university, certainly by the time of the Ben Hardwick feature.
Public tastes change and the show was finally axed in 1994. Rantzen of course has stuck around and had other TV vehicles but has never been as prominent since.
Tuesday, 29 March 2016
365 Running Blind
First viewed : 12 January 1979
And so we move into 1979 which, as I've declared elsewhere is my happiest calendar year so pretty much everything over the net few posts has a golden glow around it.
This three-part adaptation of a Desmond Bagley Cold War thriller replaced the second ( and final ) series of Target on a Friday night. I missed the first episode but my mum saw it - she had a thing for the lead actor Stuart Wilson - and filled me in. Wilson played Alan Stewart , a former MI5 man blackmailed into a delivery job in Iceland by his corrupt former boss Slade ( George Sewell ). There he meets the lovely Elin ( Heida Steindorsdottir ) but is being pursued by KGB man Kennikin ( Vladek Sheybal ) who was once shot in the wedding tackle by Stewart and understandably isn't too happy about it. I remember my mum having to explain what "impotent" meant to me.
It was pretty good although the Cold War themes would seem dated now and had a dramatic denouement ( no spoilers here ). The gorgeous Steindorsdottir hasn't been seen on British TV since but appears to still be working as an actress in her native land.
Monday, 28 March 2016
364 Omnibus
First viewed : 12 October 1978
This is another one to get the Play For Today treatment with individual programmes in the strand being added to the post as we come to them. Omnibus was the Beeb's long-running arts documentary series, broadcast from 1967 to 2003.
The Record Machine
The first one I remember watching was an examination of the pop music business featuring players like John Peel and Mickie Most. The only part I really recall was footage of a Radio One playlist meeting with Dave Lee Travis commenting that a record sounded "very Marshall Hain" , a comment that could only have been made in the latter half of 1978.
David Puttnam ( 19 December 1982 )
At this point , Barry Norman was the regular host of the programme and this edition was given over to a profile of Chariots of Fire producer David Puttnam. The only bit I remember is the account of his difficulties with star Dustin Hoffman when making the film Agatha.
Luck & Flaw's Illustrated Guide To Caricature ( 26 July 1985 )
As Spitting Image was still riding high in the ratings, its creators got to present a potted history of caricature going back to the eighteenth century cartoonist James Gillray. Steve Nallon was on had to present Thatcher's supposed views on the subject as well as contemporary masters like Steve Bell and Gerard Scarfe.
George Grosz - Enemy of the State ( 8 May 1987 )
This was an excellent episode about someone completely unfamiliar to me. George Grosz was a satirical cartoonist , for a while, a Communist , who mercilessly attacked German society during and just after the First World War in works such as Pillars of Society . portraying a grotesque, corrupt and evil world which he eventually fled for the United States. He was also involved in the nihilistic art movement Dada .The programme told the story in dramatised fashion with a linking narration from his friend John Heartsfield played by Mike Gwilym. Grosz was played by Kenneth Haigh.
The Hackney Story ( 17 July 1987 )
This was a feature on the architect Rod Hackney, a pioneer of "Community Architecture" and in the news as the major influence on Prince Charles' leftish views on inner city regeneration which ruffled a few feathers at the time. Hackney seemed like an affable guy. There was footage from a public meeting where one of his supporters told a sceptical heckler to get off his arse and do something for himself instead of moaning.
Rape : That's Entertainment ( 15 September 1989 )
This programme looked at the depiction of rape on-screen and the arguments around it. It featured two specially-filmed sequences with Juliet Stevenson and Michael Kitchen to show how directorial choice can alter an audience's perception of the act.
Life of Python ( 8 October 1990 )
This documentary about the hallowed comedy team was intended to be shown a year earlier to mark the 20th anniversary of the first broadcast of Monty Python's Flying Circus. It was postponed for a year due to the death of Graham Chapman just before the anniversary date. Chapman was present at a reunion event where the other five were dressed as schoolboys to do a sketch with Steve Martin but could not take part. The Pythons thought the sketch was dreadful and it was not shown. Chapman was terminally ill at the time and footage of the event was edited not to include him giving it a strange disjointed feel. As he was suffering from tonsil cancer, he could not do a voiceover either. There were some endorsements from US fans like Martin, Dan Akroyd and Chevy Chase, all at the start of the programme giving the impression the makers regarded it as a necessary evil to be done with as soon as possible.
Every Inch A King ( 24 May 1994 )
This was a profile of the loquacious, chain-smoking actor Robert Stephens currently playing King Lear in Stratford. The programme mixed on-stage footage with backstage interviews ( which must have been a major editing task ).
Pink Floyd : The Story ( 15 November 1994 )
This documentary told the story of Britain's most successful experimental rock band from the Syd Barrett psychedelic era to the second post- Roger Waters album The Division Bell released earlier in the year. Probably because the programme implicitly recognised this continuity, Waters declined to be interviewed for the programme and as you'd expect there was no contribution from Barrett.
Sunday, 27 March 2016
363 Wuthering Heights
First viewed : 15 or 20 October 1978
I'll have to be disciplined here as the source novel is one of my all time favourites and I could write reams about it. However that really started when I read it for my English A Level nearly four years later than this series of which I only caught a short snatch. I clearly remember it was a scene where Heathcliff is terrorising Isabella Linton but can't work out whether it was on the first Sunday broadcast or Friday night repeat. A couple of months later I read Richard Adams' The Plague Dogs in which the hardbitten journalist Digby Driver intimidates the villainess who's sold her brother's dog for medical research "like Heathcliff getting to work on Isabella Linton" and understood the reference.
The only other thing I remember about the series is the negative write-up it got in The Daily Telegraph which disliked the editing and use of "arty " camera angles. I think that was probably the first bit of TV criticism I read.
Saturday, 26 March 2016
362 A Horseman Riding By
First viewed : Autumn 1978
I only dipped into this period drama adapted from an R F Delderfield novel but my mum and sister followed it all the way through. It was broadcast on a Sunday evening succeeding the latest series of The Onedin Line. It concerned a young gentleman played by Nigel Havers with a small estate in the Devon countryside who returns from the Boer War , finds romance in the Edwardian era and then inevitably gets drawn into a rather larger War.
I was never too enamoured with it but I do recall the scenes where one of the working class characters Will Codsall starts suffering from shell shock which were quite powerful.
The role made Havers's name in TV although it also imprisoned him in playing charming , often aristocratic, gentlemen for the rest of his career.
Friday, 25 March 2016
361 Bruce Forsyth's Big Night
First viewed : 7 October 1978
The biggest TV news of 1978 was undoubtedly ITV's poaching of one of the BBC's biggest stars Bruce Forsyth. It turned into one of the great TV disasters , a prime example of hubris over-riding good judgement.
Bruce Forsyth's Big Night was announced with much fanfare. He got himself a new toupee and dyed his moustache and sideburns to match and appeared on the cover of TV Times "bringing an exciting new look to Saturdays". Bruce was given the whole evening from 6.55 pm onwards with even returning new series of Mind Your Language and The Professionals brought into his big tent. Bruce would hob-nob with international guest stars , bounce off regular comedians including the execrable Cannon and Ball and run game show features like Beat The Goalie and Teletennis ( a TV version of the legendary Pong video game ). Bruce was given way too much head, with the 50 year old entertainer allowed to revive old shows from his youth like Charlie Drake's The Worker and radio favourite The Glums
It didn't hang together at all . The Beeb acted very calmly , appointed Larry Grayson to take his place on The Generation Game , scheduled that and the new series of ratings winner All Creatures Great And Small against BFBN and caned him. Audiences stuck with the show not the man. I think we checked out the early part of the first episode - I remember Chelsea veteran Peter Bonetti doing Beat The Goalie - then turned over for the adventures of Seigfried , Tristan and co and never returned.
ITV were not slow to realise their mistake. First they abandoned the umbrella concept, turning it into a straight 90 minute variety show then scrapped it altogether after Christmas. Some of the elements were recycled as standalone shows. Bruce himself was given a shite game show Play Your Cards Right which was a ratings winner but the failure of Big Night clung to him for the next decade.
The show has a little footnote in pop history for hosting the last UK TV appearance on Chistmas Eve of an unhealthy-looking Karen Carpenter performing Please Mr Postman and making excuses for Richard's absence - he was about to go into rehab for his Quaaludes addiction.
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