Tuesday, 18 October 2016
520 Game For A Laugh
First viewed : 26 September 1981
This became one of the great success stories of the early eighties despite having one of the most charmless presenting line-ups ever.
It was the brainchild of Jeremy Beadle who developed it with US producer Michael Hill after the BBC rejected the pilot for a similar show. It was the first practical joke show since the demise of Candid Camera but it was also influenced by Crackerjack and Tiswas in the studio-based sections. Beadle himself , a malevolent gnome-like figure, presented it assisted by the appalling Matthew Kelly ( initially with a broken leg sustained in a parachute jump which sadly didn't finish him off ) , the equally odious Henry Kelly who came across as an Irish used car salesman and most incongruously, the frumpy Sarah Kennedy who seemed more suited to a BBC 2 arts programme than something as stridently lowbrow as this. Perhaps Beadle saw her presence as a trick in itself .
Some of the set-ups were quite funny and for me were the only bits worth watching in a show that ran at a frantic pace so I never loved it.
It ran for four years but as it relied so much on surprise, it had a built in obsolescence factor and all three of Beadle's co-presenters recognised this and got out while the going was good, After one season with a new team featuring the supremely annoying Rustie Lee the show was put to bed in 1985.
Monday, 17 October 2016
519 Labour Party Conference 1981
First viewed : 27 September 1981
I wouldn't normally be watching a party conference at the tender age of 16 but this one was different. The whole family were in the room to watch one of the most pivotal moments in recent political history.
Ever since Labour's defeat to Margaret Thatcher in 1979 one figure had dominated debate within the party, our friend Anthony Wedgewood Benn. He had led the movement to change the rules under which the party leader was elected in 1980. Jim Callaghan promptly resigned to allow his succcessor - Dennis Healey he hoped - to be elected before the changes came into effect. Having been heavily defeated in the leadership contest of 1976 Benn decided to bide his time and support venerable old leftie Michael Foot instead. Foot won and Healey had to settle for the deputy leadership , a very poor consolation prize. Who now remembers Edward Short, Harold Wilson's deputy from 1972 to 1976 ?
Nevertheless once the new rules were in place in 1981, Benn made the momentous decision to challenge Healey, ignoring an invitation from an incandescent Foot to directly challenge him instead. That set the stage for a furious internecine contest out of all proportion to the paltry prize on offer. Healey had the support of most of the MPs and Benn was the darling of the activists so both men went after the third part of the electoral troika, the unions' block votes, to decide the winner and as many saw it the fate of the party. A third candidate, the obnoxious John Silkin , threw his hat into the ring but was never a serious contender.
With excitement at fever pitch, the NEC decided to start the Party Conference a day early and get the count and announcement of the result out of the way before the Conference proper began. The Newsnight team moved in to cover the declaration live on BBC2 that Sunday evening.
In an atmosphere of unbearable tension the chairman ground his way through the figures to announce the narrowest of wins - less than one percentage point - for Healey. What had made the difference was the decision of a number of Labour MPs on the so-called "soft" Left to abstain , most notably everyone's tip as heir apparent, Neil Kinnock. Far closer to Benn on policy, they had walked to the brink of the abyss with him and then drawn back.
Benn was finished and he knew it immediately. You can see it in that extraordinary grimace as the result was announced. He'd taken a high stakes gamble and lost. His influence in the party didn't vanish overnight but thereafter he was always fighting a rearguard action. He suffered a further blow 18 months later when boundary changes meant he wet down in Labour's rout at the 1983 General Election. Without a seat in Parliament he had little influence in the leadership contest that year which brought his assassin Kinnock to power. He got back in at Chesterfield 6 months later ( I played a very minor part in the Liberals' by-election campaign ) but a front bench role under Kinnock was unthinkable. Instead his championship of Arthur Scargill and the Militant Tendency simply pushed him further to the margins. In 1988, dismayed by Kinnock's rightward drift , he launched a last desperate bid for the leadership against the advice of all his former acolytes and was thoroughly trounced. He remained an impotent backbencher right through to Tony Blair's first term before retiring in 2001 "to spend more time on politics". This witty epigram was actually suggested by his dying wife as cover for his real wish to be with her throughout her last days. After her death, the great bogeyman became a sort of cuddly uncle figure , still doggedly preaching his romanticised version of socialism on lecture tours. It became hard to recall how terrifying he'd seemed back in the day. He died a couple of years ago aged 88.
Sunday, 16 October 2016
518 Fanny By Gaslight
First viewed : 24 September 1981
This was a four-part adaptation of Michael Sadleir's novel which had been filmed with James Mason back in 1944. Although often thought of as a Victorian novel, it was actually published in 1940 and looks back to a time when courtly romance and the utmost depravity existed side by side.
Fanny ( Chloe Salaman ) lives comfortably with her mother and stepfather Hopwood ( that man Stephen Yardley again ) who runs a gentleman's club which is a front for prostitution including children. He makes the mistake of evicting the dissolute aristocrat Lord Manderstoke ( Michael Culver ) who avenges the insult by blowing the whistle on the club and ruining the family. Fanny finds work as a maid and companion and meets a genuine gentleman in Harry Somerford ( Peter Woodward ). However her friend Lucy ( Julia Chambers ) brings Manderstoke back into her orbit with tragic consequences. The final word from Fanny, spoken at a funeral is "Nothing".
It was a good-looking series with a splendidly malevolent performance by Culver as the villain. It went out on Thursday evenings after the Nine O Clock News although, for all the seedy backdrop, I can't remember it having any sex scenes as such . It was repeated once , two years later and as far as I know isn't available on DVD.
Chloe Salaman, neice of Alec Guinness, seemed set for a strong career - in the same year she had a good part in Winston Churchill - The Wilderness Years and appeared in the film Dragonslayer - but it didn't work out that way and her appearances have been sporadic since then.
Saturday, 15 October 2016
517 East of Eden
First viewed : 21 September 1981
This one's come around a bit earlier than I was expecting. I only saw a brief part of the second episode of this epic mini-series first time round . It was repeated in the summer of 1985 and although coming in at more or less the same point I watched it through to the end. That was when I fell in love with Karen Allen.
The series was an adaptation of John Steinbeck's epic novel, re-telling the Cain and Abel story over two generations of the Trask family from the American Civil War to World War One . It was dramatised in three lengthy episodes, its scale allowing it to be much more faithful to the book than the 1955 James Dean film. Production values were high and it was largely well cast. I say largely because unfortunately the leading role of high-minded Adam Trask went to Timothy Bottoms who seems to think looking down your nose with a solemn expression constitutes acting.
Adam is one of the two sons of tyrannical hypocrite Cyrus Trask ( Warren Oates ). He is the favoured one despite being placid and easy-going in contrast to hotheaded workaholic Charles ( Bruce Boxleitner ) . The brothers have a fearsome fight before Adam is dragooned into the Army by his father. Finding the strength to defy the old man, Adam becomes a wanderer before returning to the family farm after Cyrus's death for reconciliation with Charles. Their father's corruption has made them both rich.
After a brief period of harmony, they are finally pulled apart by the appearance of Cathy ( Jane Seymour ) who Adam takes in after being found beaten close to death. We have already seen that she is a liar, whore and murderess whose assailant Edwards ( Howard Duff ) was her whoremaster . Charles can see her for what she is but Adam falls in love with her, gets married and moves to California leaving Charles behind for good.
After failing to abort her pregnancy , Cathy deserts Adam after giving birth to twins Caleb ( Sam Bottoms, a better actor than his brother ) and Aron ( Hart Bochner ) and , through another murder, becomes a brothel madam. Adam is destroyed but his friends kick him into some sort of shape . However he becomes just as guilty of favouring one son over the other as his father and the destructive cycle begins again. Karen Allen plays Abra , Aron's virginal girlfriend.
Seymour won a Golden Globe for her stunning portrayal of the irredeemably evil Cathy making her a hot property in the US. Her performance contributes to the dark tragedy of the story and although we'll be covering some quite terrible US mini-series over the next few years this one is worth catching.
Friday, 14 October 2016
516 The Sky At Night
First viewed : Uncertain
I really have no idea when I first caught an episode of this long-running, late night, astronomy series and suspect it may have been earlier than 1981 but with bed time curfews now abandoned this seems as appropriate a time as any to include it.
The Sky at Night was first broadcast as a live show presented by amateur astronomer Patrick Moore who was at the helm for every monthly episode bar one until his death three years ago , a record-breaking stint. I realise the programme has carried on since then but can't really imagine it working without him. Space is a bloody frightening subject emphasising how small and vulnerable the human race is and it needed his lovable, avuncular if cranky presence to make it cosy late night viewing. I never became a regular viewer but tuned in from time to time, half an hour of Moore having the same appeal as a cup of cocoa.
From 2004 it had to be broadcast from Moore's home due to advancing arthritis and became less comfortable to watch as he was propped up and plastered with make-up in a futile attempt to mask his obvious physical decline. Still the mind remained active to the end and he died in harness. I've never seen it with the new team in place but it's telling that, barely a year after Moore's death, it was moved over to BBC Four.
Thursday, 13 October 2016
515 Behind the Scenes with ...
First viewed : 10 September 1981
This was a ten part documentary series going "backstage" with various creative people. I only watched the first episode because its subject was Pamela Stephenson.
It was clear from the word go that Pamela was preparing for a solo career so the programme increased fears that Not The Nine O Clock News was no more. It also gave clues as to why Pamela ultimately failed to become a top comedienne outside of the team. For one thing she was trying to be too many things at once , dancer, author, actress and singer. For another, she made some lousy choices when looking for collaborators. As you can see from the picture she's throwing shapes with ex-Shock duo Tik and Tok who were only headed for the dumper. For her musical debut she called on Richard Burgess and John Walters from briefly popular jazz-rockers, Landscape, after appearing in the video for their second ( and last ) hit "Norman Bates". The EP she made with them, "Unusual Treatment", died a horrible death when released at the beginning of 1982. The programme included her performing the track "Music Bitch Weekly".
Of course Pamela bounced back in various guises but the programme was an interesting look at someone taking a wrong turn at the height of their fame.
Wednesday, 12 October 2016
514 The Day of the Triffids
First viewed : 10 September 1981
This was a six-part adaptation of John Wyndham's science fiction classic and was partly funded by Australia's ABC although there are no concessions to Oz in the casting.
John Duttine ( again ) starred as Bill Masen , a temporarily blinded man who misses a spectacular meteor shower which has left everyone who did watch it permanently blind. In the chaos a group of genetically engineered mobile and carnivorous plants , the Triffids, have got loose and started preying on the incapacitated humans. Bill finds some other sighted survivors including Maurice Colbourne and Stephen Yardley ( yet again ) who argue about how to rebuild society or whether it is better simply to find an island retreat.
The show was moderately absorbing and the special effects were quite good. The Triffids themselves were a little Dr Who-ish but then again few plants look inherently terrifying so looking like giant sticks of rhubarb was as good an idea as anything else. It also suffered a bit from having a pre-watershed slot ; a reasonable injection of sex and violence would have spiced it up a bit without compromising the story.
The series has been repeated three times on BBC Four over the past decade so the Beeb are still proprietorial over it i.e you can't watch it on You Tube without coughing up.
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