First watched : March 1977
Undoubtedly the major TV event of 1977 was this big budget dramatisation of the life of Christ which was first screened around Easter.
It was made by many of the same crew that worked on Moses the Law-giver but was much more ambitious in its casting , aided by the presence of Franco Zeffirelli as director. Despite that , the main role was played by Brit Robert Powell who was unknown to international audiences . Some other parts also went to young Brits like John Duttine ( Saint John ) but the series is best remembered for being overloaded with slightly past their prime movie stars in small roles; notoriously Claudia Cardinale had only one word to say as the Adultress. You also had Laurence Olivier ( Nicodemus ), Rod Steiger ( Pilate ) , Anthony Quinn ( Caiaphas ) , James Mason ( Joseph of Arithmethea ) and Ernest Borgnine ( Centurion ) among many others. The juiciest female parts went to Olivia Hussey ( Mary ) and Anne Bancroft ( Mary Magdalene ).
Unlike Mel Gibson's torture porn extravaganza thirty years later , Jesus of Nazareth set out to be ecumenical and avoid giving offence and largely succeeded with only some fringe sects objecting to it. While largely faithful to the Gospel accounts it did include some extra contextual material such as an attack on Herod Antipas ( Christopher Plummer )by the Zealots and their subsequent execution. There was also a good part for Ian Holm as the non-Biblical Zerah, the agent of the priests in ensnaring Judas ( Ian McShane ). He actually gets the last line , superhumanly anticipating the whole progress of Christianity after the merest glimpse of Christ's discarded shroud.
As a Catholic I watched it as much out of duty as anticipating entertainment. I had just featured in the Easter play at school in a non-speaking role as one of the Apostles. Because I was so familiar with the storyline it was probably the first thing I watched as a critic, disliking particularly Quinn's hammy tearing of his robes and the non-Biblical encounter between Christ and Barrabas. I also recall my Mum crying at the Crucifixion scene.
The series has been repeated often and I guess for many people Powell's face is what comes to mind when they think about Jesus. It has been suggested that Powell's never really got over the experience , reverting to ultra-solemn staring at the first opportunity in his subsequent work.
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